👋 Good morning! What if 'Blair Witch' ditched the camcorder for a podcast mic? That's the concept behind A24's 'Undertone,' a horror film about a paranormal podcast host who starts receiving terrifying recordings. The entire scare factor is built around what you hear, not what you see, and A24 is leaning into that. The director originally shot it in his own living room, and now the studio is releasing it early in 100+ Dolby Atmos theaters, handpicked for their ability to surround you in a 3D dome of sound, before the wide release on March 13.

Welcome back to The Dailies. Happy Friday. You've almost made it. Grab your coffee, we'll handle the headlines. 👇

TOP STREAMED
📊 This week’s top-streamed originals…

FILMTV
Netflix
Joe's College Road Trip
Netflix
The Lincoln Lawyer
HBO Max
Zack Snyder's Justice League
HBO Max
The Pitt
Disney+
Luca
Disney+
Wonder Man
Prime Video
The Wrecking Crew
Prime Video
56 Days
Paramount+
Finestkind
Paramount+
Landman
Hulu
Prey
Hulu
11.22.63
Apple TV
F1: The Movie
Apple TV
Shrinking
Peacock
The Killer
Peacock
The Traitors
HOW LAST WEEK'S RELEASES ARE STACKING UP…
The Night Agent Netflix
S3 debuted well below S2. In its first four days domestically, it drew 2.2M average season views, a 48% drop from S2's 4.2M in the same window. Globally, it delivered 8.4M views (down ~40% from S2) according to Netflix's own numbers. The franchise is clearly cooling from its prior high.
56 Days Prime Video
Struggled out of the gate, posting just 1.1M average season views and 6.9M hours watched in week one domestically. Well below what the platform hopes to see from a new title.
A Knight of the Seven Kingdoms HBO Max
Ended S1 strong. The finale pulled 9.5M U.S. viewers in its first three days, per HBO, and the season averaged 14.6M viewers per episode per Luminate. Good news for the 'Game of Thrones' universe: this one's got legs heading into S2.

Top-streamed chart (U.S.) Feb. 20 to Feb. 26. Data provided by Luminate.

CLOSEUP
🏳️ Netflix has officially walked away from WBD…

Well, that's that. Netflix officially bowed out, declining to match Paramount's $31/share bid and ending its pursuit of Warner Bros. Discovery’s studio and streaming assets. The move came yesterday, just hours after WBD's board declared Paramount's offer a "superior proposal," which triggered a four-business-day window for Netflix to raise its $27.75/share bid. Co-CEO Ted Sarandos was reportedly still at the White House with DOJ and Trump administration officials when the rug got pulled.

Netflix didn’t even sleep on it. Sarandos and co-CEO Greg Peters said the deal they negotiated "would have created shareholder value with a clear path to regulatory approval," but that at the price required to match Paramount, "the deal is no longer financially attractive."

“This transaction was always a 'nice to have' at the right price, not a 'must have' at any price.”

Ted Sarandos & Greg Peters, Co-CEOs of Netflix

Wall Street seems relieved: Netflix stock spiked in after-hours trading, while Paramount also jumped. Netflix had dropped ~30% since the merger was announced in December, so investors seem happy to see the streamer walk away. WBD can now terminate its Netflix deal and move forward with Paramount's $111B all-cash offer for the entire company. Paramount's bid includes covering the $2.8B breakup fee WBD owes Netflix, so the transition should be clean.

Looking ahead… Warnamount is on the horizon, but it’s far from a done deal. Netflix was facing serious regulatory scrutiny from the DOJ, the Senate, and multiple state attorneys general. It remains to be seen how much of that carries over to Paramount, but the Senate antitrust subcommittee isn't wasting any time. They've already invited Paramount CEO David Ellison to testify at its March 4 hearing.

INTERMISSION: A MESSAGE FROM OUR SPONSOR
FYC: HAMNET | Our Stories Live Forever…

FYC HAMNET | Nominated for 8 Academy Awards® including Best Picture, Best Director and Best Actress

WIDESHOT
🎬 WGA Awards, insider trading, and AMC…

Protestors at a strike by the WGA staff in Los Angeles, CA. (Michael Buckner/Getty Images)

🪧 The WGA might cancel its own awards show. About 100 WGA West staffers, who keep the guild's day-to-day operations running, have been on strike since Feb. 17 over low wages, unfair promotion practices, and alleged labor violations as they negotiate their first-ever contract. This week, the situation escalated when management reportedly issued an ultimatum: accept the latest offer by today or the 2026 Writers Guild Awards (March 8) will be canceled, since the guild says it won't ask nominees to cross a picket line to attend. It would be a notable loss for awards season given that the WGAs are a key Oscar bellwether for screenplay races. The internal strife is also tough timing for a guild heading into AMPTP contract negotiations on March 16.

🎲 Prediction markets meet insider trading. Kalshi, the prediction market platform, suspended and fined a MrBeast editor named Artem Kaptur after he placed ~$4,000 in bets on outcomes of the YouTuber's videos using information from, you know, editing the videos. He was fined over $20,000, banned for two years, and reported to the CFTC. It's the exact scenario critics have warned about as prediction markets push deeper into Hollywood as a new revenue and engagement play (remember Polymarket literally putting odds on-screen at the Golden Globes?). More integrations are on the way, and the bigger entertainment betting gets, the more opportunities there are for industry insiders to unfairly cash in on what they know.

💺 AMC is going full airline mode with its movie theater seats. The chain announced it will reserve the best seats in the house exclusively for its top-tier loyalty members, A-List and Stubs Premiere, at no extra charge. The program is expected to launch later this year. It's a rebrand of sorts: AMC tried charging more for prime seats through its Sightline program three years ago and scrapped it, but now they're flipping the script by framing seat access as a perk instead of a fee. Attendance dropped 10% last quarter and revenue dipped with it, so AMC appears to be planting its flag in the loyalty model over chasing casual moviegoers. AMC hasn't defined which seats qualify yet, but we're guessing it's not the one so far left that you're basically watching the movie in italics.

LAST LOOKS
Film Development 🗒️

  • Sam Esmail’s Esmail Corp is adapting sci-fi comic ‘Astronaut Down,’ for Netflix, with F. Scott Frazier scripting. (more)

  • Apple Original Films has landed the Lance Armstrong biopic starring Austin Butler, with Edward Berger directing the cycling drama. (more)

  • Hikari will direct Apple Original Films’ holiday feature ‘Foster the Snowman,’ from writers Peter Huyck and Jono Matt. (more)

  • Jonathan Levine will write and direct Searchlight’s adaptation of Grady Hendrix’s horror novel ‘Horrorstör.’ (more)

  • IFC has acquired U.S. rights to Dave Franco and O’Shea Jackson Jr.’s Sundance comedy ‘The Shitheads,’ for a summer theatrical release. (more)

  • Sumerian Pictures has acquired Sundance comedy ‘The Incomer,’ starring Domhnall Gleeson and Gayle Rankin, for North American release. (more)

  • Tom McCarthy has tapped Paul Rudd, Evan Peters, and Paul Giamatti to lead his new Sony Pictures Classics drama based on ‘Losing Earth.’ (more)

TV Development 📺

  • Apple and Netflix have struck an F1 deal to simulcast the Canadian Grand Prix and share S8 of ‘Formula 1: Drive to Survive.’ (more)

  • Jake Johnson will star as a private investigator in Dan Goor and Luke Del Tredici’s NBC comedy pilot, with Akiva Schaffer directing. (more)

  • HBO has renewed ‘Industry,’ for a fifth and final season, with creators opting to end the series. (more)

  • Noah Hawley’s 26 Keys is developing Hulu’s ‘The Witches of Cambridge,’ based on a novel by ‘Practical Magic,’ author Alice Hoffman. (more)

  • Emma Roberts will star in and exec produce Peacock’s TV reimagining of ‘Bride Wars.’ (more)

  • Matt Dillon will lead and exec produce MGM+’s series remake of ‘The Magnificent Seven.’ (more)

  • Angela Kang will write and exec produce Amazon’s thriller series ‘Never to Be Found,’ based on Jo Spain’s upcoming novel. (more)

Business 🤝

  • IMAX reported a strong Q4 boost from ‘Avatar: Fire and Ash,’ even as overall theatrical attendance continues to slump. (more)

Other News 🚨

  • Park Chan-wook has been named jury president of the 2026 Cannes Film Festival, which runs May 12–23. (more)

  • ‘Avatar: Fire and Ash,’ dominated the 2026 VES Awards with seven wins, while ‘KPop Demon Hunters,’ led the animation categories. (more)

  • Berlinale head Tricia Tuttle has drawn support from 700+ film figures in an open letter opposing reported plans to dismiss her. (more)

RELEASE RADAR
📅 This week’s new releases…

🎥 THEATRICAL

  • Scream 7: Seventh installment with Neve Campbell and the original gang back, Kevin Williamson directing.

  • EPiC: Baz Luhrmann's Elvis Presley concert doc made from lost footage literally found in a Kansas salt mine goes wide.

📺 STREAMING

  • The Actor Awards: Kristen Bell hosts the rebranded SAG Awards live on Netflix from the Shrine Auditorium, Sunday at 5 PM PT.

  • F1: Drive to Survive: (Netflix) S8 of the behind-the-scenes F1 docuseries.

  • Paradise: (Hulu) S2 of Sterling K. Brown's post-apocalyptic thriller.

  • Bridgerton: (Netflix) S4 Part 2 drops the final four episodes of the season.

  • Scrubs: (ABC/Hulu) Revival of the beloved medical comedy with most of the original cast.

🔮 BOX OFFICE PREVIEW: The multiplex is getting stabby this weekend. 'Scream 7' is tracking for a franchise-best $40-55M opening that would dethrone 'Scream VI's' $44.4M launch. Behind it, Sony's animated 'GOAT' ($9-12M) and 'Wuthering Heights' ($7-10M) should round out the podium as holdover counter-programming.

VIDEO VILLAGE
📺 Latest trailers

MARTINI SHOT
🍸 Latest viral moments

That’s it for this week. Have a great weekend. Go see a movie, binge something you'll never admit to, or just stare at your watchlist for 45 minutes and then pick the same show you always pick. See you Monday.

-The Dailies Team

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