
👋 Good morning! Quentin Tarantino just discovered you can't cancel Paul Dano. Hollywood won't let you. Last week on 'The Bret Easton Ellis Podcast,' Tarantino called Dano "the weakest f***ing actor in SAG" while discussing 'There Will Be Blood,' claiming the actor was the film's "big, giant flaw." But instead of piling on, the industry rallied behind Dano so hard he's become the first actor to be successfully "reverse-cancelled." Matt Reeves, Ben Stiller, Simu Liu, Mattson Tomlin, Alec Baldwin, and Zach Woods all jumped to his defense. The Paul Dano Defense League is the fastest growing club in town.
Welcome back from the weekend. We've got box office results, Netflix/WBD updates, and all the industry news you missed while you were away from your inbox.
BOX OFFICE BREAKDOWN
🎟️ ‘FNAF2’ destroys the post-Turkey Day curse…

‘Five Nights at Freddy’s 2’
🐻 Five Nights at Freddy's 2: 🆕 $63M domestic opening, $109M global debut, $35-45M budget. Universal and Blumhouse's sequel way overperformed expectations ($40M projected) to snag the biggest post-Thanksgiving opening ever. Still, it came in 21% below the original's $80M opening (which launched day-and-date on Peacock). Youth-skewing demo (77% under 25) ate it up despite toilet-tier reviews (12% RT, "B" CinemaScore).
🦊 Zootopia 2: (Wk 2) $43M domestic weekend (-57%), $220.5M domestic total, $915.8M global, $150M budget. Disney's sequel took a bigger hit than expected as ‘FNAF2’ siphoned off tweens and teens, falling short of the original's $51.3M second frame. International remains the hero with $695.3M (including a monster $430.4M from China alone), pushing Disney past $5B globally for the year. It’s the first studio to hit that milestone in 2025.
🧙♀️ Wicked: For Good: (Wk 3) $16.75M domestic weekend (-73%), $296.95M domestic total, $440.1M global, $165M budget. Universal's musical sees a pretty steep drop, but is now closing in on the $300M domestic milestone.
👹 Jujutsu Kaisen: Execution: 🆕 $10.15M domestic opening from just 1,833 screens ($5,540 PSA). GKIDS' S2 recap/S3 teaser scores the distributor's fourth Top 10 hit of 2025, following ‘Chainsaw Man’ and ‘Demon Slayer.’
🃏 Now You See Me: Now You Don't: (Wk 4) $3.5M domestic weekend (-49%), $55.32M domestic total, $209.3M global, $110M budget.
🗡️ Kill Bill: The Whole Bloody Affair: 🆕 $3.25M domestic opening from 1,198 screens ($2,713 PSA). Lionsgate's 281-minute bladder test combining both Kill Bill films earned an "A+" CinemaScore and 100% on RT, but the runtime (even with a 15-minute intermission) killed the number of daily showtimes and audience turnout.
♾️ Eternity: (Wk 2) $2.73M domestic weekend (-14%), $9.58M domestic total, $9.9M global.
📜 Hamnet: (Wk 2) $2.3M domestic weekend (+147%), $4.18M domestic total, $4.2M global. Focus Features' literary drama saw a massive expansion surge with 625 additional locations.
👽 Predator: Badlands: (Wk 5) $1.857M domestic weekend (-61%), $88.26M domestic total, $177.6M global, $105M budget.
🏃 The Running Man: (Wk 4) $1.115M domestic weekend (-70%), $36.53M domestic total, $65.7M global, $110M budget.
The bigger picture: The post-Thanksgiving curse has been shattered with a record-breaking $153.8M weekend. That’s up 10.8% year-over-year and obliterated the previous record for this typically dead frame. The domestic box office officially crossed $8B for 2025 (the third time since COVID) sitting 1% ahead of 2024 at this point. We’ll see whether ‘Avatar: Fire and Ash's’ December 19 launch can push the year past the elusive $9B mark, a feat only achieved once post-pandemic during 2023's ‘Barbenheimer’ summer.
CLOSEUP
🚨 Hollywood reacts to the Netflix-WBD deal…

In case you missed the big news last week: Netflix is buying Warner Bros. for $82.7B, and Hollywood spent the weekend freaking out. Pretty much every guild, union, and lawmaker came out swinging. Here's what they're saying:
WGA: Called it "what antitrust laws were designed to prevent," warning it'll eliminate jobs and push down wages.
DGA: Raising "significant concerns," requesting meeting with Netflix to understand their vision for the legendary studio. Worth noting: newly elected DGA president Christopher Nolan made nine films at Warner Bros. before jumping to Universal.
Cinema United: Labeled it an "unprecedented threat" to theaters, claiming it could remove 25% of annual domestic box office.
SAG-AFTRA: Demanded the deal must create MORE production, not less.
Elizabeth Warren: Slammed it as an "anti-monopoly nightmare" with control of nearly half the streaming market.
How Netflix won: New reporting reveals Sarandos played the long game, meeting with Trump at the White House in mid-November and bonding over dinner at Mar-a-Lago in December 2024. He pitched that Netflix isn't a monopoly, just the "fifth-or sixth-biggest distributor on TV." Netflix then submitted the highest offer at every stage ($27.75/share) plus a record $5.8B breakup fee.
The regulatory gauntlet: Netflix faces a 12-18 month review process starting with the DOJ, which tends to scrutinize deals where two direct competitors merge (unlike, say, a tech company buying a studio). State attorneys general in NY and CA could also challenge the deal independently, while EU regulators might demand concessions like maintaining licensing agreements with competitors or even forcing Netflix to sell off HBO Max to preserve competition.
Trump weighed in last night, praising Sarandos as "fantastic" but noting the combined company would have "a very big market share" and "it could be a problem." He confirmed meeting with Sarandos in the Oval Office last week and said "I'll be involved in that decision."
What Netflix's promising: Warner Bros. theatrical releases will continue, HBO Max will remain its own service (for now), and theatrical windows will "evolve to be much more consumer friendly." That last part sounds like code for shorter windows, though Netflix hasn't specified exactly what that means. Theaters fear it could shrink to two weeks before movies hit streaming.
What's next? Paramount isn't going quietly. The company is exploring a hostile takeover by going directly to WBD shareholders, with lawyers alleging WBD execs rigged the auction to land cushy post-merger jobs at Netflix. Netflix says it's "running full speed towards regulatory approval," but this could be far from over and could get messy.
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CLOSEUP
🇺🇸 Hollywood’s tax credit push hits the White House…

Industry advocates from production businesses, lobbying firms, and the TV Academy met with Trump administration officials Friday to make their case: forget the tariffs, give us tax credits instead. Here’s what went down:
The Coalition for American Production, working with the Motion Picture Association behind the scenes, led the charge and met with advisers from the White House economic and domestic policy councils.
Their pitch: a 15-20% stackable federal tax credit that layers on top of state incentives. The argument is that the U.S. is the only major production center without a federal incentive, while countries like Canada, the UK, Australia, and Ireland have proven these credits work to attract productions.
Major unions and studios are both privately supportive, sources say. The unions have engaged directly with Jon Voight and the administration, while the studios are staying publicly silent to avoid opposing Trump's tariff proposal.
The context: Trump appointed Jon Voight, Sylvester Stallone, and Mel Gibson as Hollywood ambassadors and has been pushing 100% tariffs on overseas productions, saying other countries have stolen the movie business from the U.S. 'just like stealing candy from a baby.' Voight himself presented a plan to Trump in May that included midsize tax incentives alongside tariffs. But industry insiders say tariffs alone would accelerate Hollywood's decline, not reverse it.
Worth noting: There's an existing federal incentive called Section 181 that's set to expire December 31. It allows a 100% deduction for the first $15M of production costs, and stakeholders want it renewed. But even with renewal, industry consensus is clear: it's a band-aid on a much bigger problem, not the competitive solution the U.S. needs.
Looking ahead... The meeting followed dozens of Capitol Hill discussions that were well received. But this is Trump's call, and bipartisan support for a federal incentive requires his sign-off to get Republicans on board.
LAST LOOKS
Film Development 🗒️
TV Development 📺
CBS is developing multi-cam comedy ‘Auntie Supreme,’ from Gloria Bigelow and Christy Stratton, with Cedric the Entertainer among the EPs. (more)
Mandy Moore will star in and executive produce Peacock and A24’s erotic thriller series ‘Teach Me,’ now in development. (more)
Disney sets Searchlight’s ‘Super Troopers 3’ for an August 7, 2026 theatrical release. (more)
Shawn Hatosy joins Olivia Colman and Brie Larson in FX’s limited series ‘Cry Wolf.’ (more)
Renewed & Canceled ✅ ❌
Business 🤝
‘Game of Thrones’ director Alik Sakharov will launch Saudi Arabia’s new PlayMaker Studios with epic historical film ‘Unbroken Sword.’ (more)
Awards 🏆
The Golden Globes drop their nominations later this morning. Watch the announcement live on YouTube here. 👈👀
The Critics Choice Awards unveil their 2026 nominations, with ‘Sinners’ leading at 17 and Cynthia Erivo notably snubbed for ‘Wicked: For Good.’ (more)
The L.A. Film Critics name ‘One Battle After Another’ best picture, with Paul Thomas Anderson winning best director. See the full list of winners here.
Other News 🚨
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VIDEO VILLAGE
📺 Latest trailers
That's it for Monday. New here? Hit subscribe and join the fastest growing, coolest club in town (sorry, Paul Dano Defense League). Catch you Wednesday.
-The Dailies Team



