šŸŽ¬ The Sequel Button

Pixar Doubles Down on Sequels, IATSE Pauses Without a Deal, UK's New Tax Credit and MORE!

šŸ‘‹ Good morning! Pixarā€™s ā€˜Inside Out 2ā€™ is coming in hot with some unexpected inspiration from the intense visual language of the Safdie Brothers' 'Uncut Gems.' Perhaps this isnā€™t so surprising, as the story follows Riley as she navigates the tumultuous waters of adolescence. With Anxiety now joining the emotional ensemble, the filmā€™s visual style mirrors the chaotic energy of teenage life.

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šŸŽž Hereā€™s whatā€™s on the reel today:
  • Pixar Hits the Sequel Button

  • IATSE Wraps Without Deal

  • The UKā€™s New Tax Credit

  • Last Looks: šŸ‘€ Bite-sized scoops on developing stories/projects

  • Video Village: The latest trailers

  • Martini Shot šŸø

But first, letā€™s take a look at what happened at the box office this past weekend!

LAST WEEKENDā€™S
šŸŽŸļø BOX OFFICE BREAKDOWN šŸŽŸļø

  1. šŸ± The Garfield Movie: The lasagna-loving feline makes his way to the top with a $14M domestic weekend, totaling $51.6M domestically and an impressive $152.2M globally.

  2. šŸ‘½ IF: Edges out ā€˜Furiosaā€™ for second place with a $10.8M domestic take, bringing its total to $80M domestically and $138M globally.

  3. šŸž Furiosa: A Mad Max Saga: Dropping to third place, the action-packed prequel gathers $10.8M domestically, reaching $49.6M at home and $114.4M worldwide. A bumpy ride for this road warrior.

  4. šŸ¦§ Kingdom of the Planet of the Apes: Swinging through its fourth week, this film grabs $8.8M, pushing its domestic total to nearly $140M.

  5. šŸš— The Fall Guy: Holding steady in fifth, this action-comedy dives 30% to collect $4.2M, totaling $80.3M domestically.

šŸŽ¬āœØ Pixar is hitting the sequel button hard, hoping to restore its former glory. The studio is focusing on a new plan to drop three movies every two years, with every other film being a sequel or spinoff. The strategy is designed to recapture audience love for classic Pixar characters and stories. But itā€™s not all fun and gamesā€”Pixarā€™s facing some serious heat from fierce rivals like DreamWorks and Illumination in the animation scene. Plus, leadership changes (like the exit of John Lasseter in 2018), pandemic shifts that trained audiences to expect streaming premieres, and the underwhelming performance of ā€˜Lightyearā€™ and ā€˜Elementalā€™ have hit hard. Itā€™s clear why the pressureā€™s on for ā€˜Inside Out 2ā€™ to prove that Pixar can still reclaim its pioneering status in animation.

šŸŽ¬šŸ¤ IATSE just wrapped up a round of talks with the AMPTP without striking a deal, but negotiations are set to resume soon. Hollywood insiders are hopeful that once an agreement is inked, production will go into overdrive. The industryā€™s been dragging its feet post-strike, with many attributing the slowdown to the pending IATSE deal. Union leaders are optimistic about the upcoming Basic Agreement negotiations, seeing it as the final piece of the puzzle. A green light here could mean a flood of new shows and movies, revving up Hollywoodā€™s production machine. Fingers crossed.

ā€œIā€™m not a CEO, but greenlighting a show now feels risky. But greenlighting a show August 2, when thereā€™s an IATSE deal, that seems better. Even if I have to rush to get it done for the fall premiere, I already know thereā€™s a deal. So I think thereā€™s a lot being held up by it. You canā€™t make shows or movies without IATSE, so if thereā€™s any chance thereā€™s going to be a disruption, you have to wait.ā€

Greg Iwinski, WGA East Member

šŸ‡¬šŸ‡§šŸŽ„ The UK is buzzing with renewed optimism follow the governmentā€™s introduction of the Independent Film Tax Credit (IFTC). The tax credit offers a juicy 53% expenditure credit (about 40% tax relief) for films with budgets up to $19M. Kicking in from April 2024, this perk has already lured producers from Germany, the Netherlands, and France. Thanks to strong cross-party backing, the IFTC is here to stay. For the US film and TV scene, this spells stiffer competition as more projects might hop across the pond. Expect a surge in US-UK co-productions, with some crew and creatives heading to the UK, potentially shaking up the traditional production hubs in the States.

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Development šŸ—’ļø

  • Charlie Hunnam is set to lead Ed Brubakerā€™s Prime Video series ā€˜Criminal,ā€™ based on the award-winning graphic novel. (more)

  • A ā€˜300ā€™ series is in the works at Warner Bros. TV. (more)

  • ā€˜Peanut Butter Falconā€™ filmmakers Michael Schwartz and Tyler Nilson will direct Lionsgateā€™s remake of ā€˜Riders of Justice.ā€™ (more)

  • ā€˜3 Body Problemā€™ will end with S3 on Netflix. (more)

  • Giancarlo Esposito has joined the cast of Marvelā€™s ā€˜Captain America: Brave New World,ā€™ set to release on February 14, 2025. (more)

Business šŸ¤

  • Skydance has made a revised offer for Paramount allowing shareholders to cash out at around $15 per share, a 26% premium over Fridayā€™s closing price. (more)

  • Sony shutters TriStar TV, leading to the departure of execs Jennifer Turner and Nicole Norwood as the division merges into the larger Sony TV studio. (more)

Other News šŸšØ

  • Netflixā€™s Jake Paul-Mike Tyson boxing match is postponed due to Tysonā€™s ulcer flare-up. (more)

  • The Tribeca Festival will debut five short films created using OpenAIā€™s text-to-video model, Sora, marking the first showcase of this technology at the event. (more)

  • ā€˜Saturday Night Liveā€™ remains the top-rated entertainment show in the 18-49 demographic, surpassing ā€˜Krapopolis,ā€™ ā€˜Survivor,ā€™ and ā€˜Trackerā€™ for the 2023-24 season. (more)

And... that's a wrap! If you're reading this email because a friend hooked you up, don't fretā€”just hit that subscribe button and join the party. šŸ“§ šŸ‘‡

See you bright and early on Wednesday!

-The Dailies Team

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