šŸŽ¬ Development Hell

PLUS: MoviePass is Back, Francis Ford Coppola Fronts the Marketing Bill and MORE!

šŸ‘‹ Good morning! Netflix is getting into the popcorn game. Teaming up with Popcorn Indiana, theyā€™re launching ā€œNetflix: Now Poppingā€ snacks at Walmart. This tasty move takes a page right out of AMCā€™s playbook, and is part of Netflixā€™s broader strategy to expand beyond streaming, joining their pop-up shops and interactive experiences. šŸæ

Welcome aboard the Dailies. As you sip your morning brew, weā€™ll get you caught up with the fast-paced world of Hollywood - no need to chase down a newsstand, weā€™ve got everything you need right here.

šŸŽž Hereā€™s whatā€™s on the reel today:

  • MoviePass is Back

  • ā€˜Bladeā€™ Reboot in Development Hell

  • Coppola Foots the Marketing Bill

  • Last Looks šŸ‘€: Bite-sized scoops on developing stories/projects

  • Release Radar: What to watch this weekend

  • Video Village šŸ“€

  • Martini Shot šŸø

But first, itā€™s Friday, so letā€™s take a look at what people were watching this weekā€¦ šŸ‘€

TOP STREAMED THIS WEEK IN THE US

FILM šŸŽ„

Netflix: Under Paris

Max: Dune: Part 2

Disney+: Inside Out

Prime Video: Die Hart 2: Die Harter

Paramount+: South Park (Not Suitable For Children)

Hulu: Bad Boys for Life

Apple TV+: The Family Plan

TV šŸ“ŗ

Netflix: Bridgerton

Max: House of the Dragon

Disney+: Star Wars: The Acolyte

Prime Video: The Boys

Paramount+: NCIS: Los Angeles

Hulu: 20/20

Apple TV+: Presumed Innocent

šŸæšŸ“ˆ MoviePass is back in action! The subscription service that once had cinephiles swooning (and accountants sweating) just scored a new equity investment from Comcastā€™s Forecast Labs. This cash infusion will be used to reel in new subscribers. After its 2020 bankruptcy saga, MoviePass pulled off a Hollywood-worthy comeback, turning a profit in 2023. Now, armed with AI smarts and led by original co-founder Stacy Spikes, the company is ready for its close-up. Instead of offering unlimited movies, it now uses a credit system: users get a certain number of credits per month, which they can spend based on factors like movie title, showtime, and day of the week. MoviePass is also developing a ā€œcinematic marketplaceā€ to facilitate direct interactions between studios, theaters, and movie buffs, aiming to enhance marketing opportunities and drive theater traffic. This investment marks a fresh start for the company that's looking to disrupt the theater-going experience... again.

šŸŽ¬šŸ§›ā€ā™‚ļø Marvel Studiosā€™ ā€˜Bladeā€™ reboot is bleeding out in development hell. This passion project of Mahershala Aliā€™s has been going nowhere since 2019. Two directors have already walked out ā€” the latest one, Yann Demange, left due to creative frustrations. Aliā€™s hands-on approach, picking directors and writers, has reportedly led to multiple script rewrites. Writers who've taken a stab include:

  • Stacy Osei-Kuffour: Known for ā€˜Watchmenā€™

  • Beau DeMayo: Creator of ā€˜X-Men ā€™97ā€™

  • Nic Pizzolatto: Creator of ā€˜True Detectiveā€™

  • Michael Starrbury: Known for ā€˜When They See Usā€™

  • Michael Green: Known for ā€˜Loganā€™ and ā€˜Blade Runner 2049ā€™

  • Eric Pearson: Known for ā€˜Thor: Ragnarok,ā€™ ā€˜Black Widow,ā€™ and ā€˜Fantastic Fourā€™

And they still havenā€™t landed on a vision theyā€™re happy with. Itā€™s unclear how many millions have been thrown at development, but itā€™s not looking like the cash train is stopping any time soonā€¦ On top of pandemic delays and strikes, the movieā€™s been hampered by Disneyā€™s big push into streaming. Thatā€™s forced Marvel to churn out content quickly, prioritizing quantity over quality.

šŸŽ¬šŸ’ø Francis Ford Coppolaā€™s $120M epic, ā€˜Megalopolis,ā€™ finally secured a distribution deal with Lionsgate. The catch? Coppola is footing the marketing bill himself, which could reach up to $20M. The deal leans more towards a home release with a limited theatrical run rather than a blockbuster launch. Yet, Lionsgate sees value in continuing their collaboration with the legendary director. Adding to the fun, Lionsgate now has to find someone to play the real-life reporter who will interact with Adam Driverā€™s character, breaking the fourth wall at screenings. With the film set to drop on September 27, all eyes are on whether Megalopolis will hit it big or flop hard.

Development šŸ—’ļø

  • Mark Wahlberg and Paul Walter Hauser star in Peter Farrellyā€™s Amazon MGM action comedy ā€˜Balls Up.ā€™ (more)

  • Steven Spielbergā€™s Amblin is set to produce an adaptation of Percival Everettā€™s ā€˜Jamesā€™ for Universal, with Taika Waititi in early talks to direct. (more)

  • Patrick Dempsey joins the cast of ā€˜Dexter: Original Sinā€™ as a series regular. (more)

  • Blumhouse expands the ā€˜M3GANā€™ universe with the erotic thriller ā€˜Soulm8te,ā€™ set for release on Jan. 2, 2026. (more)

  • Jonathan Majors to star in Martin Villeneuveā€™s supernatural revenge thriller ā€˜Merciless,ā€™ filming in late 2024. (more)

  • Vertical acquires U.S. rights to the adventure comedy ā€˜Bookworm,ā€™ starring Elijah Wood and Nell Fisher. (more)

  • Riz Ahmed and Ben Karlin team up for an Amazon comedy series about a struggling actor on the brink of a breakthrough. (more)

  • Olivia Colman, Noah Jupe, and more cast members return for S2 of ā€˜The Night Manager,ā€™ set to air on BBC One and Amazon Prime Video. (more)

  • Kevin Costner is not returning to ā€˜Yellowstone.ā€™ (more)

  • ā€˜Yellowstoneā€™ sets a November premiere for final episodes. (more)

  • Alicia Vikander and Michael Fassbender are set to reunite on screen in the upcoming thriller ā€˜Hope.ā€™(more)

  • Matt Lopez joins CBSā€™s ā€˜Sheriff Countryā€™ as showrunner and executive producer, with the series set to debut in the 2025-26 season. (more)

Deals šŸ¤

  • Alan Cumming signs a first-look deal with NBCUniversal following the success of Peacockā€™s reality hit ā€˜The Traitors.ā€™ (more)

  • Brit Marling and Zal Batmanglij sign a multi-year deal with Sister to develop and produce TV and film projects. (more)

  • ā€˜American Sniperā€™ screenwriter Jason Hall signs a multiyear overall writing deal with Amazon MGM Studios. (more)

Business šŸ“‹

  • Canal+ boosts its stake in Asian streamer Viu to 36.8%, with an option to increase to a majority 51% stake. (more)

  • Lionsgate inks a multi-year deal with DirecTV to bring five streaming channels, including MovieSphere and Ebony TV, to its platform. (more)

Other News šŸšØ

  • Academy CEO Bill Kramer discusses the possibility of gender-neutral acting categories for the Academy Awards. (more)

  • A new UTA study reveals 81% of creatives see AI as beneficial to their work, though 71% emphasize the need for regulation. (more)

  • Boulder, Colorado, emerges as a strong contender to host the Sundance Film Festival starting in 2027. (more)

  • Over 400 members of the WGA, DGA, and SAG-AFTRA, including Maggie Gyllenhaal and Ryan Coogler, urge the AMPTP to reach a fair deal with IATSE ahead of their contract expiration. (more)

  • ā€˜The Boysā€™ S4 premiere viewership is up 21% from S3, ranking among Prime Videoā€™s top 5 most-viewed TV seasons. (more)

What to watch this weekend? šŸ‘€

šŸŽ„ THEATRICAL

  • The Bikeriders: Jeff Nicholsā€™ crime drama about a motorcycle club, starring Austin Butler, Michael Shannon, Tom Hardy, and more.

  • The Exorcism: Russell Crowe and Sam Worthington star in this supernatural horror film.

  • I Am: Celine Dion: Music doc on the life and career of CĆ©line Dion, and her battle with stiff-person syndrome.

šŸ“ŗ STREAMING

  • Trigger Warning: (Netflix) Jessica Alba plays a skilled Special Forces commando in this action thriller.

  • Perfect Wife: The Mysterious Disappearance of Sherri Papini: (Hulu) Documentary on the Sherri Papini kidnapping hoax.

  • Americaā€™s Sweethearts: Dallas Cowboys Cheerleaders: (Netflix) Documentary on the dancers and directors behind the Dallas Cowboys Cheerleaders.

šŸ”® ā€˜Inside Out 2ā€™ is expected to top the box office again this weekend with an estimated $75-$85M, maintaining its strong performance from last week. Meanwhile, ā€˜Bad Boys: Ride or Dieā€™ should continue to hold steady, aiming for $12-$18M as it enters its third week. Newcomer ā€˜The Bikeridersā€™ is forecasted to make a modest debut, with projections in the $7-$12M range.

And... that's a wrap on our weekly round-up!

If you're reading this email because a friend hooked you up, don't fretā€”just hit that subscribe button and join the party. šŸ“§ 

Catch you bright and early Monday. šŸ‘‹ 

-The Dailies Team

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