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š¬ Lowest Box Office Yet š¬
Cannes Takes Shape, Still Waiting on an M&A Wave, SXSW Wraps, and MORE!

š Good morning! If there were an award for Hollywoodās most interesting career, Steven Soderbergh would probably win. The director has served as second unit director on āThe Hunger Gamesā (filming the District 11 riots), re-edited āRaiders of the Lost Arkā into a black-and-white silent film to study staging, shoots most films as his own cinematographer under pseudonyms, and is currently writing a book about āJawsāāall while releasing multiple films annually when most directors take years between projects. His thriller āBlack Bagā hit theaters over the weekend.
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š Hereās whatās on the reel today:
Box Office Breakdown
The M&A Wave that Never Came
Cannes Takes Shape
SXSW Wraps
The AI Studio Boom
Last Looks: š Bite-sized scoops on developing stories/projects
Video Village: The latest trailers
Martini Shot šø
But first, letās take a look at what happened at the box office this past weekend!
BOX OFFICE BREAKDOWN
šļø āNovocaineā canāt numb the box office painā¦

Jack Quaid in āNovocaine.ā
š« Novocaine: š $8.7M domestic opening, $10.5M global. Wins the slowest weekend of 2025 with a modest bow for Paramount's $18M R-rated action comedy starring Jack Quaid.
š§Ŗ Mickey 17: $7.51M domestic weekend (-60%, Wk 2), $33.28M domestic total, $90.5M global. Bong Joon Ho's expensive sci-fi flick continues its disappointing run despite IMAX boost ($1.2M this frame). Warner Bros. is cutting its losses by fast-tracking digital release for March 25ājust 18 days after theatrical debut. Yikes. The $118M production is headed for a $100M+ loss.
šµļøāāļø Black Bag: š $7.5M domestic opening, $11.76M global. Spy thriller with Cate Blanchett and Michael Fassbender opens on par with Soderbergh's āLogan Luckyā ($7.6M) despite stellar 97% critical score on RT.
š”ļø Captain America: Brave New World: $5.5M domestic weekend (-35%, Wk 5), $185.4M domestic total, $388.6M global.
š° The Day the Earth Blew Up: A Looney Tunes Movie: š $3.17M domestic opening. WB animation film attracts nostalgic adults with 86% RT score.
āļø The Last Supper: š $2.82M domestic opening. Faith-based retelling of Christ's final days earns A- CinemaScore but minimal mainstream reviews.
š» Paddington in Peru: $2.77M domestic weekend (-25%, Wk 5), $41.32M domestic total.
š¶ Dog Man: $2.5M domestic weekend (-26%, Wk 7), $92.8M domestic total, $125.6M+ global.
š The Monkey: $2.46M domestic weekend (-37%, Wk 4), $35.21M domestic total. Neon's horror hit continues decent hold in frame four.
š Last Breath: $2.3M domestic weekend (-44%, Wk 3), $18.56M domestic total.
š The Big Picture: Ouchā¦ the box office had a rough weekend with $52.6M totalāthe worst of 2025 and down 40% from the same frame last year. Not even five new wide releases could muster a pulse, with none crossing the $10M threshold. The industry is now desperately awaiting next weekend's āSnow Whiteā ($50M+ projection) to revive theaters.
CLOSEUP
š The deal tsunami never arrivedā¦

Everyone predicted a wave of mega-mergers after the election, but several months in, the industry's facing a reality check. M&A activity plunged nearly 30% in January to 873 deals, the lowest level since 2015, according to Financial Times data. Even executive sentiment has shifted dramaticallyāfrom post-election optimism to concerns that the year ahead may be rocky.
Meanwhile, the big story remains corporate divorces rather than marriages:
Lionsgate is completing its studio-Starz split announced last year
Comcast is exploring options to separate its NBCUniversal cable channels (like USA, Syfy, and MSNBC) from its more growth-oriented assets
Warner Bros. Discovery is working to carve out traditional cable networks (including CNN, TNT, and Food Network) to focus on its streaming and studio business
Even more splitsville announcements likely coming soon
Why this matters: Wall Street prefers media companies in pieces rather than whole packages. Studios and streaming services can command premium valuations when they're not weighed down by declining cable networks. Lionsgate CFO Jimmy Barge didn't mince words at a recent conference: "This has been all about valuation. We don't feel we are getting [enough] as a combined company."
So why is M&A stalled? The entertainment industry is facing a perfect storm of uncertainty:
Political unpredictability: Rapid shifts and reversals in trade and tariff policies under the Trump administration have created challenges for business planning
Media targeting: Companies with news divisions face particular scrutiny, with several current high-profile legal challenges
Regulatory and financial uncertainty: Questions around the FCC's approach combined with unclear interest rate direction make financing and approving big deals particularly risky
Legal vulnerabilities: Even with federal approval, state AGs and competitors can derail deals in court
So while the M&A wave hasn't materialized, companies are still finding ways to unlock valueājust through strategic splits instead of mergers.
Looking ahead... Yes, that ādeals are coming!ā excitement has fizzled out. But don't write off the M&A wave just yet. The fundamentals driving consolidation havenāt changed. Reading between the lines, these splits might ultimately be about positioning for future acquisition. Think of these breakups as filing for divorce, hitting the gym, and slimming down before seeking a new partner. Ever since Amazon's $8.5B MGM purchase, studios have been positioning as targetsābut finding partners in this climate is challenging.
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WIDESHOT
š¬ Cannes, SXSW, and AI studiosā¦

š«š·š Cannes is the new Oscar whisperer. The 78th edition of the Cannes Film Festival is taking shape ahead of its May red carpet rollout. Jim Jarmusch's star-studded āFather Mother Sister Brotherā has the only confirmed spot so far in what insiders are calling the "first post-strike Cannes." The flood of submissions is causing "real pressure on slots" with American auteurs dominating the contender pool:
Spike Lee's āHighest 2 Lowestā starring Denzel Washington
Wes Anderson's āThe Phoenician Schemeā with an A-list ensemble
Ari Aster's Western black comedy āEddingtonā with Emma Stone
Richard Linklater's French-language āNouvelle Vagueā
Kristen Stewart's directorial debut āThe Chronology of Waterā
Last year's festival proved the Cannes-to-Oscar pipeline is stronger than ever, with āAnoraā snagging both the Palme d'Or and Best Picture Oscar. This growing influence directly correlates with the Academy's increasingly international membership. As Hollywood's voting body diversifies geographically, films that dazzle European tastemakers find more receptive audiences stateside. For studio execs, hitting the French Riviera isn't just for the rosĆ© anymoreāit's essential Oscar scouting.
š¬š SXSW 2025 has wrapped. The Austin-based festival, which ran March 9-15, showcased over 100 features and episodics across multiple venues, with winners announced mid-last week. Here's what got people talking:
Competition Winner: Amy Wang's āSlantedā took the Narrative Feature prize with its bold satire about a Chinese American teen undergoing surgery to become white, while Benjamin Flaherty's 'Shuffle' won Documentary Feature for its exposĆ© of exploitation in the addiction treatment industry
Audience Favorites: Horror-comedy āDeath of a Unicornā (Paul Rudd, Jenna Ortega) emerged as the clear crowd-pleaser, while Matthew McConaughey's musical comeback āThe Rivals of Amziah Kingā earned the local hero a standing O
Word-of-Mouth Sensation: Matt Johnson's āNirvanna the Band the Show the Movieā became the festival's surprise breakout with its time-traveling mockumentary format
Big-Name Disappointments: Amazon's trio of headliners (āAnother Simple Favor,ā āThe Accountant 2,ā and Nicole Kidman's āHollandā) mostly fell flat with critics
Documentary Standouts: Michael Bay's parkour thriller āWe Are Storrorā and UFO investigation āThe Age of Disclosureā had doc audiences glued to their seats
š¬š¤ The AI filmmaking boom is real. A fresh FBRC.ai report shows at least 65 AI studios have launched since 2022, with 30+ popping up in just the last 14 months. These aren't just tech bros with algorithmsāmany founders are industry veterans who see AI as Hollywood's next frontier. Most are tiny operations (under 5 employees) ranging from "AI Native" shops using Sora and Runway to create content directly from prompts, to hybrid studios that use AI to enhance traditional production. Despite all the fancy tech, the report found storytellers still have the edge over those with just technical proficiency. While traditional filmmakers aren't being replaced tomorrow, this wave feels different from previous tech fads. By the time you've finished this newsletter, there's probably another AI studio launching somewhere.
āWhile all [of the founders] have experimented with technology throughout their careers and thus were drawn to AI as the next frontier, they all had years of experience with storytelling. Nearly every founder attests that they still believe the most substantial moat is not technical but rather about who can do the work of crafting a good story.ā
LAST LOOKS
Film Development šļø
Isabel May is in talks to star alongside David Corenswet in Skydance Sportsā football drama āMr. Irrelevant.ā (more)
Jenna Ortega and Taylor Russell are in talks to star in and produce a āSingle White Femaleā remake. (more)
Willa Fitzgerald joins Paramountās adaptation of Colleen Hooverās āRegretting You.ā (more)
Neill Blomkamp is set to write and direct a new āStarship Troopersā movie for Columbia Pictures. (more)
Sony Pictures Classics has acquired worldwide rights to Molly Gordon and Logan Lermanās Sundance hit āOh, Hi!.ā (more)
TV Development šŗ
Erika Alexander joins NBCās untitled Tracy Morgan comedy pilot. (more)
Renewed & Canceled ā ā
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VIDEO VILLAGE
šŗ Latest trailers
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See you bright and early on Wednesday!
-The Dailies Team
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