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š¬ License to Thrill
Amazon Gets Bond, Netflix Goes South, MLB and ESPN Break Up, and MORE!
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š Good morning! Itās time for Hollywoodās favorite sport: Oscar prognostication! Download our 2025 Oscar ballot and join the annual tradition of being hilariously wrong about who's taking home gold on March 2nd. Fill it out, share it on social with #DailiesOscarBallot, and tag The Dailiesāperfect predictions will earn you a special surprise from The Dailies team. šš
Welcome aboard the Dailies. Grab your coffee and weāll get you caught up on the latest Hollywood headlines. Forwarded this email? Sign up here. šš
š Hereās whatās on the reel today:
Licensing Wins Big
Amazon Takes Bond
Netflix Bets on Mexico
MLB and ESPN Break Up
Last Looks: š Bite-sized scoops on developing stories/projects
Video Village: The latest trailers
Release Radar: What to watch this weekend
Martini Shot šø
But first, itās Friday, so letās take a look at what people were watching this weekā¦ š
TOP STREAMED
š What U.S. audiences were watching this weekā¦
FILM š„ Netflix: La Dolce Villa Max: Flow Disney+: Avengers: Endgame Prime Video: Youāre Cordially Invited Paramount+: Gladiator II Hulu: Longlegs Apple TV+: The Gorge Peacock: Bridget Jones: Mad About the Boy | TV šŗ Netflix: Love is Blind Max: The White Lotus Disney+: Your Friendly Neighborhood Spider-Man Prime Video: Beast Games Paramount+: NCIS Hulu: Paradise Apple TV+: Severance Peacock: Law & Order: SVU |
CLOSEUP
š°Sharing is caring (and profitable)ā¦
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Steve Zahn and Rebecca Ferguson in āSilo.ā (Source: Apple)
As streaming services rethink their financial playbooks, AMC Networks is using a counterintuitive strategy: sometimes not keeping your hits for yourself is the smarter play. Case in point: As Apple TV+ orders two final seasons of āSilo,ā AMC's choice to license the show rather than keep it exclusive to AMC+ is paying off big time.
AMC made $56M just from licensing āSiloā to Apple in 2023
Their total licensing revenue hit $277M in 2024, beating their $225M target
They're projecting $250M from licensing in 2025
A significant portion comes from Netflix licensing deals
The "Netflix effect" is realālibrary episodes on Netflix create buzz for new seasons on AMC's own platforms
What's happening? Mid-sized studios are discovering the high costs of running a streaming service might not be worth it when licensing deals offer steady, predictable returns. It's kind of like finding out your indie coffee shop makes more money selling beans to Starbucks than serving lattes in your own cafe.
Running your own streaming platform is expensive (Disney burned through $11B before Disney+ finally turned profitable)
Licensing deals provide steady, predictable revenue
Bigger platforms can pay top dollar for content that helps them stand out
Plus, you dodge those pesky marketing and tech infrastructure costs
Looking ahead... With AMC getting āThe Walking Deadā rights back in 2027, expect more strategic licensing plays ahead. We might see even more mid-sized studios focus on what they do bestāmaking great contentāwhile being more selective about when to hold 'em and when to license 'em.
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WIDESHOT
š¬ James Bond, Netflix, and Major League Baseballā¦
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(Source: Amazon)
š“ļøšø Amazon's inheriting 007ās license to thrill. In a shocking power shift, Barbara Broccoli and Michael G. Wilson are handing Amazon MGM Studios the creative keys to James Bond through a new joint venture, ending one of Hollywood's most closely-guarded family dynasties. This power transfer has been in Amazon's sights since its $8.5B MGM acquisition in 2022, and solidifies the tech giant as a traditional studio powerhouse with iconic IP in its arsenal. It marks the first time since 1961āwhen "Cubby" Broccoli and Harry Saltzman purchased Ian Fleming's novelsāthat creative decisions won't be family-controlled. Industry veterans worry about "cinematic universe" treatment diluting the franchise that's maintained its prestige through 27 films and five leading men. For Amazon, the challenge becomes balancing Bond's theatrical legacy with streaming-era ambitions. Meanwhile, Jeff Bezos is already crowdsourcing casting suggestions for the next 007 on social media. š
šš° Netflix is betting big on Mexico as its next major production hub. The streaming giant just pledged $1B over the next four years to transform the country into a powerhouse content factory, including a $2M upgrade to the iconic Churubusco Studios. This isn't just another cost-cutting moveāit's a calculated strategy that's been cooking for a decade. Since launching āClub de Cuervosā there 10 years ago (their first-ever series outside the US!), Netflix has exploded from a tiny 30-person Mexican operation to a 400-employee juggernaut with productions spanning 25 Mexican states. The investment has already paid off with global hits like Guillermo del Toro's āPinocchioā and IƱƔrritu's āBardo.ā The move mirrors Netflix's Korean content strategy (think āSquid Gameā) and points to a bigger trend where streaming platforms are building multiple global production epicenters. Theyāre not just looking for budget-friendly filming spotsāthey're constructing entire production ecosystems that rival traditional Hollywood infrastructure.
ā¾ļøšŗ ESPN and MLB are calling it quits after a nearly 40-year run. Disney's ESPN is ending its TV rights deal with Major League Baseball, highlighting how even long-standing content partnerships face new scrutiny in the streaming era. The network, which shells out roughly $550M yearly for MLB rights, activated its opt-out clause after growing frustrated with MLB's side deals with Apple and Roku that undercut ESPN's investment. The league wasn't thrilled either, complaining about "minimal coverage" outside of live games. As sports rights costs explode, media giants must make tough calls about which properties deliver sufficient bang for their buck. Disney has prioritized its NFL and NBA partnerships, while MLB is confident it can find new suitors quickly, with league commissioner Rob Manfred noting they already have "several interested parties" and expect options within weeks.
LAST LOOKS
Film Development šļø
Martin Scorsese will direct Dwayne Johnson in a Hawaii-set true crime mob drama, with Emily Blunt and Leonardo DiCaprio producing. (more)
Kitao Sakurai steps in to direct Legendaryās live-action āStreet Fighterā movie, taking over from the Philippou brothers. (more)
David Leitch and his 87North banner are teaming with Amazon MGM and Imagine Entertainment for a heist action thriller. (more)
Daniel Craig exits Luca Guadagninoās WWII-set āSgt. Rockā at DC Studios, leaving the project in search of a new leading man. (more)
Magnolia Pictures has acquired Danielle Deadwylerās action-thriller ā40 Acres,ā a TIFF breakout film set for a summer theatrical release.(more)
Mahershala Ali will star in Bassam Tariqās āYour Mother Your Mother Your Mother,ā a new film for Amazon MGM Studiosā Orion Pictures. (more)
Jack OāConnell joins Legendaryās next āMonsterverseā film, starring alongside Kaitlyn Dever and Dan Stevens. (more)
Kristen Stewart and Alia Shawkat are set to lead āThe Wrong Girls,ā a Neon comedy with Seth Rogen, Kumail Nanjiani, and LaKeith Stanfield. (more)
TV Development šŗ
Erin & Sara Foster team up with Tinx to adapt her novel āHotter in the Hamptonsā into a TV comedy for 20th Television. (more)
Netflix is expanding the āExtractionā universe with a new series starring Omar Sy, with AGBO and showrunner Glen Mazzara at the helm. (more)
ABC has ordered ā9-1-1: Nashville,ā a new spinoff set in Tennessee, for the 2025-26 season from Ryan Murphy, Tim Minear, and Rashad Raisani. (more)
Marvel has paused development on āNova,ā āStrange Academy,ā and āTerror, Inc.ā as part of its shift to a more selective TV production strategy. (more)
Claire Danes reunites with āMy So-Called Lifeā creator Winnie Holzman for āThe Applebaum Curse,ā a new HBO drama about a dysfunctional family. (more)
Olivia Colman will star in and executive produce a family drama for FX from Sarah Treem, inspired by the Danish series āCry Wolf.ā (more)
Jason Moore will direct the first two episodes of āElle,ā the āLegally Blondeā prequel series from Amazon MGM Studios. (more)
Renewed & Canceled ā ā
Business š¤
Hiro Murai launches Chum Films, a new production company focused on original films and TV. (more)
Questlove and Black Thoughtās Two One Five Entertainment appoints AGBO vet Josh Williams as Director of Scripted Development. (more)
Sick of the news? Join the other 4M Americans and sign up for 1440 for free today. The best newsletter for unbiased reporting. (more)*
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RELEASE RADAR
š
What to watch this weekend?
š„ THEATRICAL
The Monkey: Stephen King horror-comedy, from director Osgood Perkins.
The Unbreakable Boy: Bio drama starring Zachary Levi and Patricia Heaton.
šŗ STREAMING
Zero Day: (Netflix) Political thriller series starring Robert De Niro.
Reacher: (Prime Video) Action thriller starring Alan Ritchson returns for S3.
1923: (Paramount+) S2 of the āYellowstoneā prequel series.
Surface: (Apple TV+) Psychological thriller series returns for S2.
A Thousand Blows: (Hulu) Period drama from āPeaky Blindersā creator Steven Knight.
š AWARDS SEASON
Screen Actors Guild Awards: (Netflix) The last major Oscar precursor streams live Sunday at 5pm PT with Kristen Bell hosting.
š® BOX OFFICE PREVIEW
This weekend won't set any records, but with āCaptain America: Brave New Worldā holding premium screens and āThe Monkeyā bringing in horror fans, we're likely looking at a $65-75M overall weekend. The real question is whether āBrave New Worldā can avoid the dreaded Marvel second-weekend curse that saw recent entries like āThe Marvelsā (-78%) and āQuantumaniaā (-70%) take massive dives. Current projections suggest a better hold, but stay tuned!
VIDEO VILLAGE
šŗ Latest trailers
Aaaaand... that's a wrap! If you're reading this email because a friend hooked you up, don't fretājust hit that subscribe button and join the party. š§š
Have a great weekend! Catch you bright and early on Monday!
-The Dailies Team
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