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PLUS: Jon Stewart's Ratings Bonanza, Theaters Disappear, and Piracy Runs Rampant...
š Good morning! Todayās a day of hearts, chocolates, and perhaps drafting love sonnets Ć la Josh Brolin to his Dune co-stars. Whether youāre wrapped up in the arms of romance or cozied up with a marathon of your favorite rom-coms, weāre not judging.
Welcome aboard the Dailies. As you sip your morning brew, weāll get you caught up with the fast-paced world of Hollywood - no need to chase down a newsstand, weāve got everything you need right here.
š Hereās whatās on the reel today:
Amazon Subscribers Sue
Stewartās Stellar Comeback
Movie Theater Magic on the Brink
The Piracy Paradox
Last Looks: š Bite-sized scoops on developing stories/projects
Video Village: The latest trailers
Martini Shot šø
But first, letās take a look at what happened at the box office this past weekend!
šŗāļø Amazon Subscribers Sue Over Surprise Ads: Amazon Prime Video's leap into ad-supported waters has led to a splashy class action lawsuit. Prime members, initially promised a commercial-free oasis, now find themselves navigating ad breaks or shelling out an extra $2.99 monthly for the tranquility of an ad-free stream. This sudden shift has prompted a lawsuit in California, accusing Amazon of a bait-and-switch that's left over 100M subscribers facing ads by default. The legal challenge, seeking at least $5M and a halt to Amazon's alleged ad-infested course, claims breach of contract among other consumer protection violations.
šŗš Stewartās Stellar Comeback: Jon Stewartās grand re-entrance to āThe Daily Showā as a part-time host for the 2024 election cycle not only marked a homecoming, but also a ratings bonanza for Comedy Central. Stewartās Monday night takeover brought a multi-year high of 930,000 viewers on its first night, reaching a total of 1.85M with simulcasts on other Paramount-owned channels. On Monday, Stewart candidly addressed the elephant in the room, explaining that he left Apple TV+ late last year because the tech giant ādidnāt want [him] to say anything that might get [him] in trouble,ā particularly when it came to topics like A.I. and China. With Stewart at the helm on Mondays, āThe Daily Showā promises to be the go-to spot for sharp, insightful commentary during this pivotal election season.
šæš Movie Theater Magic on the Brink: America is facing a burgeoning crisis of āmoviegoing desertsā sprouting up nationwide. While new theaters dot the landscape in select urban corners, vast swathes of the country are mourning the loss of local movie theaters, leaving a cultural and communal void in their wake. With total U.S./Canada movie ticket spending per capita at a mere $24 last year, the economic viability of cinemas in many areas is dimming faster than the credits on a screen. Despite the valiant efforts of independents and smaller chains, the cinematic landscape is mirroring the decline of malls and the rise of streaming services. While theaters once stood as pillars of community life, their gradual disappearance signals not just a change in how we consume entertainment, but a deeper loss of communal spaces that once stitched the fabric of American society together.
š¬š“āā ļø The Piracy Paradox: A new data drop from Muso reveals some interesting insights into film piracy. Box office titans like āOppenheimerā and āAvatar: The Way of Waterā are the most coveted treasures among digital pirates. Despite efforts to curb film theft, these big-ticket movies ironically seem to send out a bat-signal to pirates due to their lengthy wait for official at-home releases. Meanwhile, films like āPuss in Boots,ā which had a quick, 16-day, blink-and-you-miss-it theater stint, made it too easy for piratesāhigh-quality versions of the film were quickly available for piracy just as everyone starting talking about how great it was. On the flipside, āBarbieā blended a short, 53-day theatrical window with a quick jump to streaming, proving that timing can help outsmart theft. The whole situation is made trickier by the streaming worldās chaos, with so many exclusive shows and movies scattered across various services. When viewers are left navigating a labyrinth of subscriptions, piracy becomes the path of least resistance. Navigating the fine line between accessibility and exclusivity seems to be key in keeping audiences on the right side of the screen.
Development šļø
Sony Pictures casts 'American Born Chinese' star Ben Wang as the new 'Karate Kid.ā (more)
Adam Sandler sets new comedy special directed by Josh Safdie. (more)
Woody Allen's 50th film, āCoup de Chance,ā a French-language thriller, is set for a U.S. release by MPI Media Group on April 5. (more)
Katy Perry is leaving āAmerican Idolā after 7 seasons. (more)
āLeonardo da Vinciā documentary from Ken Burns will premiere on PBS in November. (more)
Elizabeth Olsen and Charles Melton are set to star in Todd Solondz's dark comedy 'Love Child.' (more)
Ewan McGregor is set to star alongside Anne Hathaway in David Robert Mitchell's untitled 1980s family adventure film. (more)
Stephen Amell is set to lead 'Suits: LA,' being developed by NBC and creator Aaron Korsh. (more)
Dylan Gelula joins the cast of āSmile.ā (more)
Travis Knight is in talks to direct the new āMasters of the Universeā movie. (more)
āThe Handmaidās Taleā S6 will begin production this summer for premiere in 2025. (more)
Stephen Dorff, John Rhys-Davies, and Beau Bridges have been cast in the true crime feature 'Fruit Of The Poisonous Tree.' (more)
Warner Bros. closes first-look feature film deal with Margot Robbieās LuckyChap after āBarbieā Oscar nominations. (more)
Teresa Celeste joins the cast of Kevin Hartās āFight Night: The Million Dollar Heist.ā (more)
Vertical acquires the rights to thriller āFirecrackerā ahead of the Berlin Film Festival. (more)
Amazon MGM Studios secures 'Burn Night,' a thrilling project from Safehouse Pictures. (more)
Hulu's teen comedy 'Prom Dates' sets spring release, starring Chelsea Handler, John Michael Higgins. (more)
Rose Byrne is set to star in 'Tow,' a film about Amanda Ogle's fight against tow-company extortion. (more)
Harvey Keitel, Rita Moreno, Roselyn Sanchez, and Udo Kier join the cast of the indie horror thriller 'Theirs.' (more)
Lilly Wachowski returns to directing with āTrash Mountain,ā produced by Colin Trevorrowās Metronome Film Co. (more)
FX commissions a pilot for 'The Sensitive Kind,' a noir drama created by Sterlin Harjo and starring Ethan Hawke. (more)
Netflix gears up for a unique interactive 'Netflix Experience' event for advertisers at New York's Pier 59 Studios. (more)
ā Renewed & Cancelled ā
Business š¤
Tyler Perry inks a first-look TV deal with Netflix, launching with the drama series 'Beauty In Black.' (more)
Paramount Global announces layoffs of up to 800 staff in a significant cost-reduction move. (more)
Netflix announces its first in-person upfront event in New York, signaling confidence in its growing ad business. (more)
AnaĆÆs Baker is promoted to the head of global formats at Amazon MGM Studios. (more)
Other News šØ
The Super Bowl had the biggest audience in history with 123.7M viewers. (more)
The āDeadpool and Wolverineā trailer sets a new record with 365 million views in 24 hours. (more)
DreamWorks and Flying Bark Productions' production workers join The Animation Guild. (more)
Travis Kelce's film producing debut, āMy Dead Friend Zoe,ā is the first to be financed through Joe Biden's green energy tax credits. (more)
Disney leverages its strong earnings to encourage shareholders to vote for its board nominees. (more)
The first 2024 Oscars teaser has been released. (See it here)
And... that's a wrap! If you're reading this email because a friend hooked you up, don't fretājust hit that subscribe button and join the party. š§ š
See you bright and early on Friday.
-The Dailies Team
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