👋 Good morning! Taylor Swift and Travis Kelce got married at Madison Square Garden on Friday, in front of roughly 1,000 guests, with Adam Sandler (ordained for the day) officiating. The black-tie crowd was stacked, with Steven Spielberg, Emma Stone, Brad Pitt, and Bradley Cooper among the many who made it in. If your invite didn't show up in the mail, don't take it personally (ours didn't either). Most of the actual details are still being kept quiet, so we'll assume Sandler kept it dignified and only did the “Opera Man” bit during the rehearsal dinner.

Hope you had a solid Fourth and made it out with all ten fingers. Now that the smoke's cleared, let’s get you caught up. 👇

BOX OFFICE BREAKDOWN
🎟️ A franchise-low weekend for the little yellow guys…

‘Minions & Monsters’

WEEKEND TOTAL $121.3M| VS. 2025 -24.7%| VS. LAST WKND -22.7%
1
Minions & Monsters NEW
Universal/Illumination · $36.4M domestic weekend · Global total: $160M · Budget: $85M · 🍅: 91%
Sixteen years and seven films in, the Minions clocked their softest debut on record (yes, below the 2010 original's $56.4M, no inflation asterisk needed). Blame 'Toy Story 5' hogging the family crowd, and a July 4th that landed on a Saturday (nobody's picking Minions over a BBQ). It's quite the comedown from 'Minions: The Rise of Gru,' which set the all-time Fourth of July opening record back in 2022, powered by the #GentleMinions trend (droves of teen boys showing up to screenings in full suits, a viral TikTok bit).
2
Toy Story 5 WK 3
Disney · $31M domestic weekend (-56%) · Domestic total: $366.3M · Global total: $764.3M · Budget: $250M
Now the studio's 6th highest-grossing film domestically and 9th biggest worldwide.
3
Young Washington NEW
Angel Studios · $20.8M domestic weekend · Budget: $20M · 🍅: 59%
A George Washington origin story timed to America's 250th birthday proved an easy sell for Angel's core audience. It overperformed to an A CinemaScore and came within a hair of the studio's opening record, even with critics staying cool on it.
4
Supergirl WK 2
Warner Bros. · $9.6M domestic weekend (-74%) · Domestic total: $58.5M · Global total: $100.5M · Budget: $170M
A brutal sophomore plunge (worse than 'The Flash') leaves the DC film pacing below 'Blue Beetle' and projected to lose $100M+ theatrically.
5
Disclosure Day WK 4
Universal · $6M domestic weekend (-27%) · Domestic total: $105.3M · Global total: $207.2M · Budget: $115M
6
Obsession WK 8
Focus Features · $5.3M domestic weekend · Domestic total: $245.3M · Global total: $403M · Budget: $750K
7
Backrooms WK 6
A24 · $3.3M domestic weekend (-25%) · Domestic total: $190.5M · Global total: $348M · Budget: $10M
8
Jackass: Best and Last WK 2
Paramount · $2.7M domestic weekend (-68%) · Domestic total: $14.7M · Global total: $20M · Budget: $10M
9
Scary Movie WK 5
Paramount · $1.1M domestic weekend (-63%) · Domestic total: $106.3M · Global total: $218.2M · Budget: $30M
10
The Invite WK 2
A24 · $800.7K domestic weekend (+111%) · 🍅: 95%
Olivia Wilde's dinner-party comedy (with Seth Rogen, Penélope Cruz, and Edward Norton) posted the weekend's best per-screen average on just 28 screens. A24 bought it out of a Sundance bidding war back in January for $12M+, and it goes wide this weekend, so we'll see if that heat travels.
YTD Domestic Box Office▲ +13%
Jan 1–Jul 5, 2026
$4.95B
Jan 1–Jul 5, 2025
$4.37B
Source: RENTRAK

The bigger picture: It was a sleepy holiday frame, down from both last week and last year. A Saturday July 4th plus a nationwide heat wave meant the BBQ and fireworks won the weekend. 'Minions & Monsters' wasn't the movie to change that. Still, the year's still doing just fine, comfortably ahead of 2025 YTD.

Up next: Disney's live-action 'Moana' is up next weekend, and then July closes out with a heavy hitter each in Christopher Nolan's 'The Odyssey' and 'Spider-Man: Brand New Day.' If they all land, summer could reach $4B for just the second time post-pandemic.

CLOSEUP
🌐 Two more internet horrors are headed to theaters…

Zach Cregger and Steven Spielberg.

Ever since 'Backrooms' and 'Obsession' proved internet-born horror could pack theaters with younger audiences, the town has been trying to bottle the same lightning.

In the weeks after those hits, agency assistants were reportedly combing through Reddit, YouTube, and TikTok like truffle pigs, sniffing out the next viral property. One agency vet claimed they'd already flagged "a bunch" of subreddits and short stories as potential films (a Sydney Sweeney project pulled from r/nosleep is reportedly already in the works). That land grab is now producing deals, and two big ones landed within 24 hours of each other:

  • 'Siren Head' went to Warner Bros. out of a five-studio bidding war. The property is a towering, rotting cryptid with two sirens for a head, dreamed up by creature designer Trevor Henderson in 2018 (billions of TikTok views since). 'Weapons' director Zach Cregger is co-writing the script with 'Whalefall's' Brian Duffield, who'll direct. The rights alone went for low seven figures, and Cregger's involvement (one of the biggest names in horror right now) is a big part of why studios chased so hard.

  • 'The Mandela Catalogue' went to Scott Stuber's United Artists, Spielberg's Amblin, and Amazon MGM a day later, out of an eleven-way bidding war. It's one of the best known titles in analog horror (the found-footage, fake-broadcast corner of YouTube), set in a Wisconsin county invaded by shape-shifting doppelgangers, with well over 100M views.

The two deals take opposite approaches to who's behind the camera: ‘Mandela' hands the job to its creator, with Alex Kister directing his own IP (the same path Kane Parsons took on 'Backrooms'). 'Siren Head' goes the other way, handing the property to two outside filmmakers (Cregger and Duffield) who had no hand in creating it.

INTERMISSION: A MESSAGE FROM OUR SPONSOR
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CLOSEUP
🤖 Hollywood’s new side hustle is training the AI…

Three years ago, AI fears helped fuel the 2023 strikes. Now, with Hollywood work harder to find, some of those same writers, editors, and execs are taking side gigs training the very AI models that could one day compete with them.

The work is called RLHF (Reinforcement Learning From Human Feedback), which is a fancy way of saying humans grade the machine's homework. You score a model's outputs (say, whether a character would really crack a joke two seconds after a funeral), and that data eventually trains the AI to do it on its own. Some details:

  • It's one of the few growing corners of the business. Per Indeed, AI postings in the arts nearly doubled (about 5% to 11%) between May 2025 and April 2026.

  • Most workers come in through Mercor, a recruiting platform now valued at $10B, with a reported 30,000+ contractors billing around $95/hour on average.

  • It's not always steady, though. Pay swings widely (from roughly $16/hour for entry annotation to $150+/hour for specialized writing work), and NDAs, unstable scheduling, and abrupt cancellations are common.

Opinions are all over the map. Some have leaned in out of curiosity, wanting to understand the tech from the inside before it understands them. Others took the work out of necessity, to cover rent after long dry spells. And some want no part of it, arguing it's a short-sighted trade that quietly hollows out the creative sector.

"I don't really necessarily fault somebody if you're all of a sudden given potentially $1,200 for four hours' worth of work. Then it’s really enticing, but that may be the only four hours you're ever going to work in that job. I think in the long term, it is more damaging to the entire creative sector to be training these systems."

Tim Friedlander, a voice actor and president of the National Association of Voice Actors

The guilds are in a tough spot, and so far they've stayed quiet on it. With LA on-location production still running nearly 20% below its five-year average, more workers may take these gigs to bridge the gap, and leadership can't really tell struggling members not to earn a paycheck (even one that funds the very thing they're fighting).

ICYMI
⚡️ Quick hits…

🔫 Christian Bale and Leonardo DiCaprio will star in 'Heat 2,' shooting this November. Michael Mann’s returning to direct, with Bale in the Pacino detective role and DiCaprio in the Kilmer part. Mann’s also reuniting with producer Jerry Bruckheimer (first time in 45 years) on the roughly $170M Amazon MGM project.

🏆 The Emmys are hunting for a new TV home starting in 2027, since the rights run out after this year's ceremony. Broadcasters keep paying to host a show they rarely win, while streamers grab the trophies for free. One fix being floated: a simulcast, where networks and streamers air it at once and split the yearly cost.

🌍 Paramount is dropping United International Pictures, its distribution venture with Universal, to win EU approval for its WBD merger. European cinema operators had flagged antitrust worries, and giving up the venture seems to be smoothing things over. Regulators pushed their decision to July 22 (a sign approval could be close).

The 2026 World Cup is smashing US ratings records, and the numbers keep climbing as the tournament goes on. The USA-Bosnia win drew 24.4M on Fox, the biggest English-language soccer telecast ever. Today's Round of 16 clash with Belgium (a shot at the quarterfinals, first since 2002) could top even that.

LAST LOOKS
Film Development 🗒️

  • Lola Tung is joining Halina Reijn's A24 film 'Please.' (more)

  • Peter Dinklage is starring in 'The Reckoner,' with Kenji Tanigaki directing and Derek Kolstad writing for Lionsgate and AGBO. (more)

  • Joe Wright is set to direct Working Title's adaptation of Tim Winton's sci-fi thriller 'Juice.' (more)

  • Maya Da Costa is joining the cast of the next ‘Paranormal Activity,’ alongside Chase Yi and Sonia Mena. (more)

TV Development 📺

  • Paula Reid is expected to leave CNN for MS NOW after declining to renew her contract. (more)

  • 'The Murder of JonBenét Ramsey' is landing at Netflix after Paramount+ dropped the limited series. (more)

  • ‘Godfather of Harlem’ will conclude with a two-hour series finale on MGM+ after four seasons. (more)

  • ‘Toxic Moms,’ a comedy from Ashley Tisdale, Sabrina Jalees, and Ali Wong, is in development at Netflix. (more)

  • Netflix is developing a TV adaptation of Lucy Clarke’s thriller, ‘The Surf House.’ (more)

Other News 🚨

  • Film and sound recording are down a combined 3,600 jobs in June, per the latest U.S. labor report. (more)

  • 18M pounds lost: Experts say this is the future of weight loss, and it doesn't require GLP-1, diets or calorie counting. (more)*

    *sponsored

CALL SHEET
📅 The week ahead…

  • WEDNESDAY: Emmy nominations announced 🗣️

VIDEO VILLAGE
📺 Latest trailers

MARTINI SHOT
🍸 Latest viral moments

That's a wrap on Monday. Someone forward you this one? Hit that subscribe button and join the party. 📧👇

Back Wednesday.

-The Dailies Team

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