👋 Good morning! A PSA for our LA readers: stay away from Inglewood today, unless you're headed to the World Cup. The US Men's National Team opens its tournament against Paraguay at SoFi tonight, the first home-soil Cup match for the Americans since 1994. Fans are flying in from every corner of the planet, and parking is already hitting $300. The tournament runs across the US, Canada, and Mexico through the July 19 final.

It's Friday, which means two things: the weekend is close, and we've got a fresh batch of streaming numbers and industry news to send you into it. Grab your coffee, we'll handle the rest. 👇

TOP STREAMED
📊 This week’s top-streamed originals…

FILMTV
Netflix
Office Romance
Netflix
The Four Seasons
HBO Max
Miss You, Love You
HBO Max
The Pitt
Disney+
Luca
Disney+
The Mandalorian
Prime Video
Jack Ryan: Ghost War
Prime Video
Spider-Noir
Paramount+
Clifford the Big Red Dog
Paramount+
Dutton Ranch
Hulu
Prey
Hulu
The Handmaid's Tale
Apple TV
Propeller One-Way Night Coach
Apple TV
Your Friends & Neighbors
Peacock
The Killer
Peacock
M.I.A.
LAST WEEK'S NEW RELEASES
Office Romance NetflixFILM
Opened to 3.5M domestic views and a strong 20M globally over its debut weekend, so the spark's catching abroad faster than at home. For comparison, 'People We Meet on Vacation' debuted to 4.7M domestic and 17.2M global before climbing to Netflix's #5 most-watched film of the year domestically, which puts 'Office Romance' in good company out of the gate.
The Murder of Rachel Nickell NetflixFILM
Opened to 1.4M domestic and 6.1M global views in its opening weekend, further proof that true crime quietly does the job for Netflix every time.

Top-streamed chart (U.S.) June 3 to June 10. Data provided by Luminate.

CLOSEUP
💰 CAA’s putting money where the creators are…

Hollywood's biggest agency just put $250M behind a simple idea: today's YouTubers are tomorrow's media moguls, so buy in early. CAA teamed up with private equity giant TPG to launch Compound Creative Holdings, a new outfit built to buy and grow the businesses creators build around themselves.

The vision: take a creator already pulling tens of millions in sales and build them into the next Oprah or Reese Witherspoon. The goal is to own businesses with staying power, so the value sticks around even if the creator's views dip. Here's the early shape of it:

  • Compound takes a minority stake or buys control, then builds the parts a YouTube check can't touch: merch, production arms, and IP.

  • Managing partner Tucker Brown has helped raise money for creator outfits like the trick-shot crew Dude Perfect and political news network MeidasTouch, and thinks hundreds of creators have already scaled enough to invest in.

  • Compound's backers expect the creator economy to balloon from around $250B now to $1.25T by 2035.

  • It helps that creators are suddenly opening actual movies ('Backrooms,' 'Obsession'), giving all that money a thesis to point at.

This is the kind of move the guilds would never allow in scripted Hollywood. The 2021 packaging fight forced WME to offload Endeavor Content precisely because the guilds objected to agencies repping talent and owning the businesses that profit off them. Creator culture has no such guild, so CAA gets to play both agent and owner with nobody to stop it.

The bigger picture: Everyone in town is wrestling the YouTube gorilla differently. Netflix licenses the podcasts (Charlamagne, Jay Shetty), Amazon pays a reported $100M a season for 'Beast Games,' and Fox's Creator Studios (launched earlier this year) funds creators while letting them stay on whatever platform their audience already uses. CAA and TPG's answer is the most aggressive of the bunch: own the businesses outright.

INTERMISSION: A MESSAGE FROM OUR SPONSOR
For Your Consideration, HBO Max Presents HALF MAN…

From creator Richard Gadd, this explosive drama series chronicles the fraught relationship between two "brothers" over four decades. Don’t miss the series The Guardian called “A MASTERPIECE.” HALF MAN now streaming on HBO Max.

CLOSEUP
🤖 Lionsgate’s betting on AI, take two…

Keanu Reeves and Jennifer Lawrence in 'John Wick' and 'The Hunger Games' (Courtesy of Lionsgate)

Lionsgate has taken an equity stake in the generative AI company Runway. The two first partnered back in 2024, and now the studio is deepening things into an actual ownership stake. Here's what they want to do with it:

  • Dig into the studio's 20,000-plus title library (think 'John Wick' and 'The Hunger Games') to spin up AI-generated short series, though nobody's saying which IP goes first.

  • Start a joint development program for original AI-made IP, alongside a run of "filmmaker-focused events."

  • Both sides are pitching it as a creative tool to expand what filmmakers can do rather than a replacement for them.

When Lionsgate and Runway first got together in 2024, Lionsgate became one of the first major studios to make a big AI bet, and the pitch was enormous. Vice chairman Michael Burns famously bragged the studio could take 'John Wick,' tell the AI to "do it in anime, make it PG-13," and have a brand-new, resellable movie three hours later. The whole library would become an endless source of cheap remixes. But most of that never happened.

The plan ran into a wall that turned out to be pretty fundamental, which is that a single studio's library just isn't enough material to train a good model on. These things need an astronomical amount of data (the kind of bottomless library YouTube is sitting on, which is what trains a model like Google's Veo). Four 'John Wick' movies doesn't get you there.

The legal side was reportedly tricky too. Owning a film library doesn't mean you own everything inside it (ancillary rights for actors, writers, and directors are still unsettled). So this is less an expansion than a second swing. We'll see whether it pays off this time.

ICYMI
⚡️ Quick hits…

'Cotton Fever' cast and director Daniel Blake Schwartz at the film's Tribeca premiere, June 5. (Cindy Ord/Getty Images)

🗽 Tribeca handed out its competition awards at the festival's 25th edition, with 'Cotton Fever,' 'Labrador,' and 'Jail Time Records' taking the top narrative, international, and documentary prizes respectively. Still pending: the Audience Award, the fan-voted prize decided by festivalgoers rather than a jury, which lands Sunday. Full list here.

🤝 Warner Bros. is reuniting with Maggie Gyllenhaal, optioning Rachel Kushner's novel 'Creation Lake' for her to write, direct, and produce. That's a real show of faith, considering her ambitious Frankenstein retelling 'The Bride!' grossed a wince-worthy $24M on a $90M budget back in March. Short memories, or genuine belief.

📉 Emmy submissions fell for the third straight year, with 84 fewer shows and nearly 150 fewer actors on the ballot than 2025. The numbers dropped yesterday as nomination voting opened, basically solidifying the early-2020s slowdown as the new baseline. Drama shed 16 shows; comedy added a whopping two.

🎮 Paramount's new games studio has the 'Sheridanverse' in its sights, with 'Yellowstone,' 'Landman,' and 'Tulsa King' named as priorities for future video game adaptations. Creative head Shawn Kittelsen insists they're cultural stewards, not IP value extractors. Nothing's official—keep your Dutton Ranch simulator hopes in check.

LAST LOOKS
Film Development 🗒️

  • Jennifer Lawrence is pulling double duty as star and producer on Apple's romantic comedy 'One Month Mark.' (more)

  • Paul Anthony Kelly is making his feature debut in ‘The Housemaid’s Secret,’ joining Sydney Sweeney and Kirsten Dunst in Lionsgate’s thriller sequel. (more)

TV Development 📺

  • ‘Widow’s Bay’ is coming back for S2 at Apple TV+, and creator Katie Dippold signed a new overall deal with the streamer. (more)

  • 'Things We Never Got Over,' the bestselling Lucy Score romance novel, has officially been greenlit as a series at Amazon Prime Video. (more)

  • Isla Fisher and Jane Krakowski have joined Larry David’s HBO sketch series 'Life, Larry, and the Pursuit of Unhappiness,' in guest roles. (more)

  • Hulu is developing ‘Music Theories,’ a comedy series exploring the story behind Fountains of Wayne’s hit song ‘Stacy’s Mom.’ (more)

  • 'Hit Man' is getting the Netflix series treatment, with Glen Powell and Richard Linklater executive producing. (more)

  • Peter Sarsgaard has joined S3 of ‘The Last of Us,’ playing a new Seraphite leader created for the HBO series. (more)

  • Amazon MGM Studios is developing ‘The Boyfriend,’ a standalone follow-up to Prime Video hit ‘The Girlfriend,’ centered on themes of masculinity. (more)

  • Peacock is developing ‘Such a Nice Girl,’ reuniting the creative team behind ‘All Her Fault’ for another thriller adaptation of an Andrea Mara novel. (more)

Business 🤝

  • Harbor Lights Entertainment sold the Redstone family’s 13 Showcase Cinemas theaters to Kinepolis Group in a $30M deal. (more)

  • Nicholas Weinstock has signed a first-look TV deal with Prologue Entertainment to develop scripted series. (more)

  • AMC Theatres raised $150M to strengthen its balance sheet as the box office rebound continues. (more)

  • Jeff Shell settled with the whistleblower whose allegations helped push him out of Paramount. (more)

VIDEO VILLAGE
📺 Latest trailers

MARTINI SHOT
🍸 Latest viral moments

And just like that, you're caught up. If a friend forwarded this your way, do the right thing and hit subscribe below (it's free!). Have an incredible weekend!

Meet you back here Monday.

-The Dailies Team

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