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š¬ $1B Glow-up
Studio Developers Double Down on LA, Media Giants Take CES, and MORE!
š Good morning! Our hearts go out to everyone affected by the fires in Los Angeles. Hollywood pressed pause last night as several premieres and events, including Jason Reitman's āSaturday Nightā FYC reception and the āBetter Manā premiere, were canceled due to the emergency. Stay safe out there, everyone.
Welcome aboard the Dailies. As you sip your morning brew, weāll get you caught up with the fast-paced world of Hollywoodāno need to chase down a newsstand, weāve got everything you need right here.
š Hereās whatās on the reel today:
Hollywoodās Betting on a Comeback
Disney Clears Way for Venu
Media Giants Take CES
Last Looks: š Bite-sized scoops on developing stories/projects
Video Village: The latest trailers
Martini Shot šø
CLOSEUP
š“ Hollywoodās betting big on a comebackā¦
A rendering of Television City's planned $1B expansion.
LA's production numbers hit alarming lows in 2024 according to FilmLA, with shoot days falling well below expectations and even dipping under 2023ās strike-impacted levels. As more studios chased generous tax incentives in places like Georgia and overseas, California watched the exodus with growing concern. Gov. Gavin Newsom is trying to stop the bleeding by boosting California's film tax credit to $700M, but some heavy hitters aren't waiting around to see if it works.
Case in point: The Los Angeles City Council just unanimously greenlit a massive $1B expansion of the iconic Television City studios.
Yesterdayās approval marks a major vote of confidence in Hollywood's hometown, especially as production days hit record lows in 2024.
The Television City mega-project includes:
Expanding from 8 to 15 soundstages
Adding 1.4M square feet of new development
Preserving four original 1952 stages
Completing everything before the 2028 Olympics
But that's just one piece of LA's studio building boom. Here's what else is cooking:
Hackman Capital's dropping another $1B on the historic Radford Studio Center (where āSeinfeldā and āWill & Graceā once called home)
Warner Bros. is pumping $500M into their Burbank Ranch (wrapping late 2025)
East End Studios has $230M cooking in the Arts District
Bardas and Bain Capital are transforming a former Sears into Echelon Studios
Even San Diego's getting in on the action with an $85M virtual production complex
Why are they so confident? Hackman's Zach Sokoloff puts it simply:
āWe are confident these cycles will work themselves out and Los Angeles will continue to be the global capital of media.ā
Translation: This might be a rough patch, but Hollywood's not going anywhere.
Looking ahead... With 3.5M square feet of new soundstage space in the pipeline for greater LA, these companies are betting the house that "runaway production" will eventually run back home. After all, you don't spend billions on new studios unless you're pretty sure the cameras will keep rolling.
WIDESHOT
š¬ Disney-Fubo merger, and media giants at CESā¦
šŗš¤ Disney's found a clever way to launch its Venu sports streaming service. Disney faced a significant roadblock in its ambitious joint venture with Fox and Warner Bros. aimed at creating a premium sports streaming platform, as FuboTV's lawsuit claimed Disney's plans would unfairly harm their business. Disney's solution? Merge Hulu's live TV operation (4.6M subscribers) with FuboTV (1.6M subscribers) and pay $220M to settle the lawsuit. The result? A new joint venture that becomes the second-biggest live TV streaming service after YouTube TV. The deal gives Disney 70% ownership while keeping Fubo's experienced team in charge of operations, letting Disney build a three-pronged sports empireāESPN, Fubo, and Venu. Investors are thrilled, pushing Fubo's stock way up, and the combined service expects to make $7.5B by 2028. Itās looking like an early domino in what could be a deal-heavy yearāespecially if Trump's expected second term brings a more M&A-friendly regulatory environment. As traditional cable TV continues its steady decline, the deal underscores how valuable live sports content has becomeāand how far media giants will go to control it.
š¬š Media giants have a plan to steal back advertising dollars from Silicon Valley. At CES 2025 in Las Vegasātraditionally a showcase for the latest TVs, robots, and quirky inventionsācompanies like Comcast, Disney, and NBCU are treating tech's biggest show like a dress rehearsal for the May "upfronts," where networks traditionally sell most of their advertising inventory for the year ahead. The stakes are huge: while social media ad spending is soaring to $102.6B in 2025 (up 13.6%), traditional TV's barely growing at 2% to $169.1B globally. After watching social platforms dominate digital ad spending for a decade with their easy-to-use tools (Meta alone has 10M advertisers while NBCU has mere "thousands"), these media giants are basically acknowledging they need a tech makeover. And they're betting big on their biggest advantage: live sports and premium contentāunlike social media's scattered audience, these are the only shows left where millions of viewers tune in at the same time and actually watch the ads (try skipping a Super Bowl commercial). Here are some big moves announced this week:
Comcast's launching Universal Ads, basically Instagram Ads for TVāletting any business buy commercial time online in minutes instead of through old-school negotiations. Warner Bros. Discovery and Fox are already in.
Disney's opening up NFL and ESPN ad spots to instant buying through Google, meaning small businesses could grab game-time commercials as easily as boosting an Instagram post.
NBCU's packaging the 2026 Winter Olympics, Super Bowl, and NBA All-Star Game into a 10-day advertising fest, complete with social media-style targeting tools.
INTERMISSION: A MESSAGE FROM THE DAILIES
šØ āStranger Things,ā āBreaking Bad,ā āThe Officeā¦ā
They all started with a pitchāand yours could be next.
Every great show begins with a killer ideaābut what makes that idea irresistible to networks? Itās the pitch. Shows like these werenāt just great concepts; they were packaged and presented in a way that studios couldnāt refuse.
Chris Amickāwhoās sold hit shows to Netflix, Max, and DreamWorksāknows exactly what it takes to get a āyesā in the room. In his 7-week course, youāll learn step-by-step how to:
Craft a pitch that sells.
Learn what networks want.
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šØ Only a couple of spots remain, and registration closes this week!
The class kicks off January 16āsecure your spot now before itās gone.
LAST LOOKS
Development šļø
Jacob Elordi is in talks to star in Ridley Scottās post-apocalyptic thriller āThe Dog Stars,ā stepping in for Paul Mescal. (more)
Peacock is rebooting āGrimmā as a movie, with Josh Berman and the original creative team onboard. (more)
Disney+ orders a pilot for a āHolesā TV series, reimagining Louis Sacharās classic book with a new twist. (more)
Armie Hammer lands the lead role in Uwe Bollās vigilante thriller āThe Dark Knight,ā marking a major comeback for the actor. (more)
Crunchyroll announces a āGhost of Tsushimaā anime adaptation for 2027 and a new premium manga app for subscribers launching later this year. (more)
Paramount+ās āUnspeakable: The Murder of JonBenĆ©t Ramsey,ā will launch as part of an anthology series on unsolved crimes. (more)
Kevin Nealonās celebrity hiking talk show, āHiking with Kevin,ā lands on Fox Nation with 10 new episodes. (more)
Scarlett Johansson will guest co-host NBCās āTodayā for a week starting Jan. 20, following Hoda Kotbās departure. (more)
Reba McEntire will star in and produce a film adaptation of Fannie Flaggās āThe All-Girl Filling Stationās Last Reunion,ā directed by Callie Khouri. (more)
Billy Zane, Zach Roerig, and Cara Jade Myers lead ESX Entertainmentās Western āDay of Reckoning.ā (more)
Executive Moves š©āš¼
Prentiss Fraser rejoins Fox Entertainment as Global President, overseeing worldwide content distribution and sales. (more)
Sony Pictures EVP Palak Patel departs after a decade to join Prime Focus Studios as Chief Content Officer. (more)
Disney promotes Tony Chambers, Head of Theatrical Distribution, to President of EMEA, effective February, as part of a regional restructure. (more)
Lisa Hamilton Daly exits Hallmark Media as her EVP Programming role is cut in a leadership restructure under Chief Brand Officer Darren Abbott. (more)
Business š¤
Glen Powellās Barnstorm production company secures a first-look deal with Universal Pictures. (more)
Paramount and Comcast renew multiyear deals, keeping Paramount networks and streamers on Xfinity. (more)
Voltage Pictures acquires a majority stake in The Exchange, merging their strengths to expand global sales and finance capabilities. (more)
Discovery+ raises its U.S. prices to $5.99/month for ad-supported and $9.99/month for ad-free tiers. (more)
George R.R. Martin, Jimmy Iovine, and Conrad Vernon are stakeholders in newly launched adult animation company Bizaar Studios. (more)
Other News šØ
SAG cancels todayās live nominations announcement for the 31st SAG Awards due to Los Angeles-area wildfires, opting for a press release instead. (more)
The 82nd Golden Globes drew 10.1M viewers, up 7.4% from last year, marking a strong comeback with Nikki Glaser as host. (more)
The Directors Guild of America announces nominees for TV, documentaries, and commercials for the 2025 DGA Awards. (more)
Tubi surpasses 97M monthly active users in 2024, solidifying its lead in the growing FAST streaming market with over 10B hours streamed. (more)
Roku surpasses 90M streaming households, highlighting its growth as competition in the FAST market intensifies. (more)
Ex-MoviePass exec Theodore Farnsworth pleads guilty to fraud over the misleading āunlimitedā plan. (more)
INTERMISSION: A MESSAGE FROM OUR SPONSOR
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